Windows hold a significant place in the collective consciousness of human beings. Beyond being indispensable architectural components, they represent the windows of beautiful prisons we call rooms, houses, or homes. We may grow fond of them and not wish to leave them—just as our unconscious minds may become fond of and confined within the prisons of certain illusions. For this reason, the Moroccan window, with its twists and decorative patterns known by names such as “Sulaymaniyya” and others, becomes a cultural symbol with a unique aesthetic. It aligns with the metaphorical and conceptual framework born of the dialogue between illusion and culture. The symbolism of the window here points not only to the role of Moroccan culture in particular, but more broadly to how the concepts of culture and identity contribute to nurturing, solidifying, and widely disseminating illusions. That’s why, in this section, I chose to work with old window frames—because of the cultural and historical significance they carry. They date back to 1913 and came from my old house and other homes in the neighborhood where I grew up.